Art is free, shameless, irresponsible [...], the movement is intense, almost feverish; it resembles, it seems to me, a snakeskin full of ants. The snake itself is long since dead, eaten out from within, deprived of its poison; but the skin moves, filled with busy life.
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Lo Duca
N° 1, avril 1951
- Journal d’un curé de campagne de Robert Bresson p. 45–47
N° 3, juin 1951
- Anni difficili de Luigi Zampa p. 48–49
N° 4, juillet 1951
- Fröken Julie d’Alf Sjöberg p. 41–43
N° 9, février 1952
- La Passion de Jeanne d’Arc de Carl Th. Dreyer p. 60–63
N° 11, avril 1952
- The Big Carnival de Billy Wilder p. 47–49