Art is free, shameless, irresponsible [...], the movement is intense, almost feverish; it resembles, it seems to me, a snakeskin full of ants. The snake itself is long since dead, eaten out from within, deprived of its poison; but the skin moves, filled with busy life.
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Jean-Louis Tallenay
N° 6, octobre/novembre 1951
- Born Yesterday de George Cukor p. 46–47
N° 10, mars 1952
- The Man in the White Suit d’Alexander Mackendrick p. 62–63
N° 11, avril 1952
- Of Men and Music d’Irving Reis p. 65–66
N° 12, mai 1952
- Kon Tiki de Thor Heyerdahl p. 66–67
N° 17, novembre 1952
- Les Belles de nuit de René Clair p. 53–54
N° 20, février 1953
- Manon des sources de Marcel Pagnol p. 51–54