Art is free, shameless, irresponsible [...], the movement is intense, almost feverish; it resembles, it seems to me, a snakeskin full of ants. The snake itself is long since dead, eaten out from within, deprived of its poison; but the skin moves, filled with busy life.
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Hélène Boons
N° 806, février 2024
- Double foyer de Claire Vassé p. 90
N° 807, mars 2024
- Boléro d’Anne Fontaine p. 65
- Dans la peau de Blanche Houellebecq de Guillaume Nicloux p. 66
- Mis hermanos de Claudia Huaiquimilla p. 68–69
N° 808, avril 2024
- Drive-Away Dolls d’Ethan Coen p. 49
- Knit’s Island, l’île sans fin d’Ekiem Barbier, Guilhem Causse et Quentin L'Helgouac'h p. 50–51
- LaRoy de Shane Atkinson p. 51
- The Fall Guy de David Leitch p. 55