Art is free, shameless, irresponsible [...], the movement is intense, almost feverish; it resembles, it seems to me, a snakeskin full of ants. The snake itself is long since dead, eaten out from within, deprived of its poison; but the skin moves, filled with busy life.
This page is only available in French
Claude-Jean Philippe
N° 136, octobre 1962
- La Grande Parade de King Vidor, La Foule de King Vidor, Notre pain quotidien de King Vidor p. 27–28
- Texas Rangers de King Vidor p. 28
N° 137, novembre 1962
- The Man Who Shot Liberty Valance de John Ford p. 40–43
N° 140, février 1963
- The Miracle Worker d’Arthur Penn p. 50–52
N° 144, juin 1963
- L’Enfer est pour les héros de Don Siegel p. 56–57
N° 147, septembre 1963
- Along the Great Divide de Raoul Walsh p. 58–60