Art is free, shameless, irresponsible [...], the movement is intense, almost feverish; it resembles, it seems to me, a snakeskin full of ants. The snake itself is long since dead, eaten out from within, deprived of its poison; but the skin moves, filled with busy life.
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Claude Chabrol
N° 28, novembre 1953
- Singin’ in the Rain de Gene Kelly et Stanley Donen p. 55–57
N° 29, décembre 1953
- The Hitch-Hiker d’Ida Lupino p. 57
N° 35, mai 1954
- A Personal Affair d’Anthony Pelissier p. 56
N° 44, février 1955
- Le Pain vivant de Jean Mousselle p. 51–52
N° 45, mars 1955
- Apache de Robert Aldrich p. 45–46
- Rebecca d’Alfred Hitchcock p. 46–47
N° 46, avril 1955
- Rear Window d’Alfred Hitchcock p. 41–43
N° 49, juillet 1955
- The Barefoot Contessa de Joseph L. Mankiewicz p. 45–46
- Battle Cry de Raoul Walsh p. 51–52
N° 53, décembre 1955
- Land of the Pharaohs d’Howard Hawks p. 42–43